Monday, November 13, 2017

Follow Your Path

"Follow Your Path"
Image size 4' x 8'
Acrylic

This took me a couple of months to paint and was such a fun project.  I installed it today and I'm so happy with how it turned out and how it looks in the room.  I painted a multi-canvas mural like this about 10 years ago and was happy to be commissioned to do this technique again.  Although there is space between the canvases breaking up the scene, our brains are able to "connect the dots" and read it as one picture.  I think the color of the wall really adds to the painting.

Here is a picture straight on that I took once I finished it but it was still hanging in my studio.  The paper pattern with paint on it in the background is a bit distracting, but you get the idea. 

Monday, November 6, 2017

Cresting Wave

"Cresting Wave"
Image Size 24" x 48"
Encaustic & Oil
I'm very happy with the colors and movement in this painting.  It is mostly encaustic, but I did so underlying colors in oil and a finishing layer of oil and encaustic. 

Monday, October 30, 2017

Chop

"Chop"
Image size 9" x 12"
Encaustic
This is NOT what I had in mind when I started this painting, but I'm very happy with the outcome.  I can't seem to stay away from painting water, probably because the encaustic medium is so beautiful for creating paintings of water.  I love the colors in the water and will probably do a much larger painting with this same feeling.  

Monday, October 23, 2017

Rainy Season

"Rainy Season"
Image Size 15" x 45"
Acrylic
We've been having another heat wave this week which made me want to paint something with cool, soothing colors that would remind me of how nice it's going to be when we get some rain.  I've been working on a large painting using acrylics and am really enjoying this medium so I decided to use it for this week's painting.  It is so versatile. It can be used thick like oil paint or thinned like watercolor.

For this painting, I mostly used the paints as I would watercolor paints, thinning them down so that they would run.  There are some areas where the paint is thicker, but mostly it is thin.  Acrylics really shouldn't be thinned with water too much because it affects the adhesion of the paint and it could flake off.  I should have used an acrylic medium to thin it, but the paint still would have been too thick.  I am planning to apply several coats of a UV varnish over this which will stabilize the paint as well as protect it from bright light so having thinned the paint won't be a problem.

Monday, October 16, 2017

Morning Mist

"Morning Mist"
Image size 15.5" x 15.5"
Encaustic

I love the subtle colors in this painting.  I started it by using mostly wax already mixed on my palette as the underpainting.  There were oranges and purples, blues and greens.  All of them mixed together to make some really beautiful color combinations.  They are peeking through the more subtle subsequent layers.

Monday, October 9, 2017

Froth

"Froth"
Image size 8" x 8"
Encaustic
This is just a small water study.  I was working on a large painting this week so I didn't spend much time on my weekly painting.  Hopefully next week I will post a more detailed painting.


Monday, October 2, 2017

Canyon Wall

"Canyon Wall'
Image size 10.5" x 21.5"
Watercolor

I've been feeling sad that my watercolor roots have been largely ignored over the past year because I've fallen in love with encaustic.  This past weekend, Watercolor West started their yearly series of watercolor demonstrations that are offered during their annual international juried watercolor exhibition.  I am fortunate that this show is in my area and I look forward to it every year.  I didn't enter any paintings this year because I had nothing that I felt would be good enough to be chosen.

The first demonstration each year is my favorite because the juror of the show is the demonstrator and before he does his demo, he shows slides of all of the paintings that were juried into the show and tells why each was chosen.  What a wonderful education!  Of course, each judge has different reasons for choosing a painting, but it is still always good to hear what a judge likes.

I didn't really have time to attend on Sunday and almost didn't go, but I felt that it would be a good way to push me toward returning to watercolor.  Although I didn't stay for the afternoon portion when the juror,  John Salminen, demonstrated his painting style, I still learned a lot from him and am once again motivated to put watercolor paint to paper and use the unique qualities of those paints in a (hopefully) creative way. 

This painting was done on a saturated piece of paper.  One of the qualities that I love in watercolor paints that cannot be found in any other medium is the sedimentary action of some pigments.  That doesn't happen with all of the colors, but the ones that have that quality are among my favorites.
Daniel Smith makes a lot of colors that are very sedimentary because they use a lot of natural pigments which have heavy particles that fall into the valleys in the textures of watercolor paper.  My favorites are Lunar Earth and Lunar Black.  Lunar Earth is a rust colored pigment that is so beautiful alone, but can also be mixed with other colors to get that wonderful sedimentary effect.  I know using straight black in art is not recommended, but I use it anyway because I love the color black, especially in abstract paintings.  It can also be mixed with any color to take advantage of that wonderful textural quality that it has.

I used those two pigments along with ultramarine blue, another sedimentary color, to create a feeling of heavily textured canyon walls in this painting.  Other colors were mixed in and melded with the sedimentary colors to create this effect.  Here is a detail of the painting.  It might look more yellow because I just took a picture of it, but had to do it inside under incandescent light because the sun has set here.  Anyway, it shows the wonderful sedimentary qualities that can be achieved with these particular paints.

Monday, September 25, 2017

The Precipice

"The Precipice"
Image size 24" x 24"
Encaustic, oil, ink

Complimentary color combinations make nice mixtures.  My favorite color combination is blue and orange.  This painting has various shades of blues and oranges, with the orange leaning toward rust more than a true orange.

I started by adding alcohol inks to the gessoed surface before I added any wax.  I wanted the bright, strong color not to move as I added wax.  Not much of the original color is visible in the finished painting, but it does add some depth where it can be seen.  As I continued to add layers of wax, I also used oil paint to add some interesting textures.  When I felt I was almost finished, I added a final layer of inks.  Then, I decided that it needed more texture so I continued adding layers until I finally felt it was finished.

Monday, September 18, 2017

Land or Sea

"Land or Sea"
Image size 6" x 5.5"
Acrylic

Abstracts are fun because they can be interpreted in so many ways.  At first, I saw a crazy, turbulent wave, but I was walking past this painting a couple of days ago and it clearly looked like snow covered mountains.  

What do you think?

Monday, September 11, 2017

Storm's Coming

"Storm's Coming"
Image Size 6" x 6"
Encaustic

My heart goes out to my fellow Americans that are dealing with these hurricanes that have been battering our country.  

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